Orchestras in Willimantic - Part 1
by Pete Zizka
8-26-2023

  

This week and next we’ll be taking a look at some of the musical entertainment offered in Willimantic. The first real orchestra in Willimantic was probably the Loomer Opera House Orchestra and, Allen B. Lincoln said, “In those twenty years (1880-1900) Willimantic was considered a fine show town”.  There were concerts and balls lasting until daybreak. Then, in 1900 Clinton C. Helmold came to town. He was a musician of note and his fame preceded him. The Opera House Orchestra disbanded and Helmold was prevailed upon to form a new orchestra. By late 1900 the new “Helmold’s Orchestra” had taken over playing at the Opera House and performed there until 1917. During the same time, “Tucker’s Orchestra” was furnishing entertainment. It was led by Charles Tucker of North Windham, a violin player of considerable note. This orchestra, said Lincoln, ”played for all kinds of engagements, oratorios, concerts, festivals, receptions and the like and for a time furnished music for the opera house”. Another orchestra had been put together by George W. Hickey and later was taken over by Robert E. Pickett, a pupil of C. C. Helmold. This nine-piece orchestra was quite successful and played not just in Willimantic but all over Eastern Connecticut. After Pickett’s death, the name was changed to the Peerless Orchestra. In those days, a prominent figure in Willimantic’s musical world was George Wheeler. He was noted not just for being connected in some way to almost all Willimantic orchestras but also, he was “looked upon as one of the best prompters at dances. He had the honor of ‘calling the changes’ at twenty-four of the forty annual Thanksgiving-eve balls or dances of the Willimantic Fire Department’s Montgomery Hose Company.” Wheeler was probably best known, however, as the leader of “Wheeler’s American Band”, a staple of every Willimantic parade for many years. It was said of Wheeler that “almost every musician in town started with Charlie Wheeler”. An easygoing man, he would spend hours patiently teaching any young people who wanted to be musicians. Local legend says he had been asked to join the famous Sousa Band. Unable to decide, he flipped a coin and “Willimantic won”. Wheeler died in 1936. Undoubtedly, then, Willimantic had a great reserve of musical talent. Besides the bands mentioned above, there was “The Majestic”, “Mattie and the Lads and “Hal White and his Aristocrats”. And we shouldn’t overlook other groups such as the BPOE (Elks) Band, the Trade School Band, and the Knights of Columbus Boys’ Band. Eighty years ago, Jimmie Day, a member of several orchestras, compiled a scrapbook mainly of his time with the “Mattie and the Lads Orchestra” but he provides information on several other musical groups. Moreover, his scrapbook provides an interesting and fascinating look at the ‘30s and early ‘40s local music world and the changes that were coming about in society. In 1931, the Majestic Orchestra and the twelve-piece Peerless Orchestra were the Willimantic area’s most well-known orchestras. Some members of the Majestic were George W. Hickey, pianist; Ralph Wolmer, violinist; William Buckingham, cornetist. The Peerless Orchestra consisted of C. C. Helmold, violinist; Edwin Fitch, violin and clarinet; Prosper Vegiard, cornetist; J. D. Conant, flute; Archille Gaudreau, trombone; William Taylor, drum; Harry Royce, pianist and several others. The Peerless had already been around for twenty-five years, several under the leadership of Prosper Vegiard. Times were changing, however, and becoming tough for local musicians. Peoples’ music tastes were changing and ballroom dancing was losing popularity. The Peerless Orchestra fell on hard times as it tried to adapt to changes but the once favorite local musical group began to be referred to as “the lousy Peerless”. Declining pay for band members, poor leadership and growing laxity on the part of some members spelled the end of the Peerless. But some of the band members felt that with a few changes, they could make a go of it. At that point band member Gaylord “Mattie” Mattison from Columbia stepped into the leadership role, reorganized the band and a new experiment was begun in Willimantic.
                                              


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